Michael McDonough, M.P.S.E.
Michael McDonough has a life-long love affair with sound. Recording and cataloging sounds since he was a child led him to an award-winning career that began with radio drama, then on to sound design and post audio for IMAX films, TV, video games, VR and theme park attractions. Michael brings to Huge Studios his passion and a wealth of experience for his craft.
Joe Belliston has been the supervising sound editor, sound designer, music editor, and re-recording mixer on a number of different films and television series including Nitro Circus: The Movie, Nitro Circus Live, Studio C, Granite Flats, Relative Race, and many more. With over 10 years of experience and 2 Emmy Awards under his belt, Joe brings a wide array of expertise to the Huge team.
J Scott Rakozy
J Scott Rakozy has been a composer and sound designer for many different projects over the years. Scott is most highly noted for his impressive swiftness at completing projects and bringing professional sound to every job he undertakes.
Luis Morales has a passion for the art of music and sound. He received his education from the Conservatory of Recording Arts and Sciences. His experience includes projects in music production, post production, Foley, sound design, live sound, and broadcast.
Import and edit dialog from AAF/OMF audio files. Spotting and recording of ADR and loop group sessions. Recording and editing voice over or narration. All services can be done locally or with outside facilities using Source Connect.
Foley spotting and recording. Five foley pits available, including dirt, grass, gravel, cement and a splash pad. Other surfaces and complete props available, including water effects.
5.1 Theatrical mixing services, including stem premixing, 5.1 final mixing and stereo downmixing. Television mixing done to standardize broadcast loudness specifications. International M&E creation and mixing.
5.1 Theatrical mixing services including stem premixing, 5.1 final mixing and stereo downmixing. Television mixing done to standardize broadcast loudness specifications. International M&E creation and mixing.
Huge Studios provides real-time global interconnectivity for ADR and music recording using Source Connect. This proven technology provides an ISDN replacement that is secure, high quality, and allows recording and monitoring from anywhere in the world using standard high-speed internet connected to any computer platform, including Pro Tools. Source Connect provides remote connectivity for various setups including music recording and overdubbing in perfect sync. It is becoming the industry standard.
- Sound Design
Studio B is designed as a 5.1 audio post-production edit and mix room. Unlike near-field audio rooms, Studio B is set up to do motion picture and television mixing using a perforated film screen and THX-approved, calibrated theatrical speakers behind the screen and on the side walls.
The screen speakers are Meyer Acheron left, center and right cinema series. Left and right surround are JBL, along with a JBL 18” sub, powered by Crown amplification.
AVID D-Command control surface.
Avid Pro Tools dual HDX system with Focasrite Rednet I/O and Sync HD.
Soundminer sound effects library database, with a collection of over 250,000 sounds.
Located between Studio A and Studio B. This room is a multi-purpose recording space for voice over, ADR with video playback and Source Connect. It features five different foley pits and complete props, including water effects.
Studio C is a medium sized mix/overdub room with connections and sightlines to Iso 2.
- Avid S3 with Dock and Pro-Tools control app
- Avid HDX with 16 channels of Focusrite Rednet I/O and Sync HD
- Logic Pro-X
- JBL 5.1 monitoring.
- Studio D
Mixing Studio/Studio D
Studio D is an intimate, mix/overdub room with connections and sightlines to Iso 2. Avid S3 with Dock and Pro-tools control app.
- Avid S3 with Dock and Pro-tools control app.
- Avid HDX2 with 8×16 HD I/O and Sync HD
- Logic Pro-X
- UAD Octo PCIe card with a large compliment of plugins.
- 5.1 Surround Monitoring